diff options
Diffstat (limited to 'src/anime')
-rw-r--r-- | src/anime/review/gits-sac/.gitignore | 2 | ||||
-rw-r--r-- | src/anime/review/gits-sac/document.en.rest.txt | 75 | ||||
l--------- | src/anime/review/gits-sac/du2html.xsl | 1 |
3 files changed, 78 insertions, 0 deletions
diff --git a/src/anime/review/gits-sac/.gitignore b/src/anime/review/gits-sac/.gitignore new file mode 100644 index 0000000..08d33d4 --- /dev/null +++ b/src/anime/review/gits-sac/.gitignore @@ -0,0 +1,2 @@ +/document.en.du.xml +/document.it.du.xml diff --git a/src/anime/review/gits-sac/document.en.rest.txt b/src/anime/review/gits-sac/document.en.rest.txt new file mode 100644 index 0000000..8ad905b --- /dev/null +++ b/src/anime/review/gits-sac/document.en.rest.txt @@ -0,0 +1,75 @@ +=============================================================== + Ghost in the Shell: Stand Alone Complex — Solid State Society +=============================================================== +:CreationDate: 2012-09-23 15:54:16 +:Id: anime/review/gits-sac +:tags: - anime + - review +:rating: 3.5 +:original: http://www.easternkicks.com/reviews/ghost-in-the-shell-stand-alone-complex-solid-state-society + +In the beginning, there was Koukaku Kidoutai (攻殻 機動隊), the +Armored Riot Police, written between 1989 and 1990 by SHIROU Masamune +(士郎 正宗). It depicted a cyberpunk future of cyborgs, body +augmentations, brain-computer links; it extrapolated the political, +military, judiciary, and diplomatic situation from present Japan to a +not-so-far future. It touched upon issues of personal identity and +boundaries, social integration, the nature of self-awareness, and the +implication of technology in the social and legal definition of +personhood. It did all this while following the policemen of Public +Security Section 9 on their investigation of a criminal only known as +The Puppeteer, in particular through the eyes of Major Motoko +Kusanagi. + +In 1995, OSHII Mamoru (押井 守, Urusei Yatsura 2: Beautiful Dreamer, +both Patlabor movies, Jin Roh, Avalon) directed the film +adaptation. Most of the world-building was removed from the story to +make it fit into a movie, and the tone changed from often zany typical +of Shirou to the more serious and introspective that was already a +trademark of Oshii. Although mostly useless plot-wise, the best +remembered scenes are near the beginning (Motoko throwing herself off +a building and turning on her thermo-optical camouflage), and near the +end (Motoko trying to force open the locked hatch of a tank). Oshii +also directed a second movie, Innocence, in 2004. + +Between 2002 and 2005, two TV series were produced and broadcast, +called "Ghost in the Shell: Stand Alone Complex", with KAMIYAMA Kenji +(神山健治) as director (he'd go on to direct Eden of the East). These +take place in a different timeline than the movies, although the +setting is almost identical. The title of the series refers to the +fact that some episodes are "stand alone", while others form a +season-long story arc (a "complex" of episodes). + +Finally, in 2006, the TV movie Solid State Society was released, set +after the two TV series, in the same continuity, still with Kamiyama +at the helm. Major Kusanagi left Section 9 at the end of the second +series, but she's back on the scene, hunting a criminal only known as +The Puppeteer. Sounds familiar? Probably because it is. The first +movie, the first TV series, and Solid State Society all take the +(rather obvious) idea of software-level manipulation of +computer-connected minds; the attacker / manipulator may be a human, +or an emergent sentience (I'm not telling you which, if any, applies +to this movie!). This plot device does feel a bit overused the third +time through, and the inclusion of scenes almost identical to the +"best remembered" ones mentioned above does not really help this movie +stand on its own merits. + +Which is a bit of a shame, because the story is different enough to be +interesting regardless of what you thought of the previous works in +the franchise, and reflects on different themes: the role of a welfare +state, the fate of old childless people, the economic and social +changes imposed by an aging population, in addition to the usual +(identity and on the impact of mind-machine links). + +Although I haven't tested this, I suspect that this movie would work +better if the viewer did not know the 15 years' history of the +franchise (good luck, though, finding someone interested in anime and +cyberpunk who hasn't seen GITS). As it is, some of the "homages" to +past works feel almost lazy, and the original aspects are not as +prominent as they deserve. + +Despite all this, the movie is a solid piece of work that can't be +missed by any fan of the GITS franchise: Production IG's animation is +at its usual very high standards, and is perfectly complemented by the +music by KANNO Youko (菅野 よう子, Macross Plus, Escaflowne, Cowboy +Bebop). diff --git a/src/anime/review/gits-sac/du2html.xsl b/src/anime/review/gits-sac/du2html.xsl new file mode 120000 index 0000000..371d03d --- /dev/null +++ b/src/anime/review/gits-sac/du2html.xsl @@ -0,0 +1 @@ +../../../../templates/du2html-review.xsl
\ No newline at end of file |