diff options
Diffstat (limited to 'src/anime/review/psycho-pass/document.en.rest.txt')
-rw-r--r-- | src/anime/review/psycho-pass/document.en.rest.txt | 63 |
1 files changed, 63 insertions, 0 deletions
diff --git a/src/anime/review/psycho-pass/document.en.rest.txt b/src/anime/review/psycho-pass/document.en.rest.txt new file mode 100644 index 0000000..92071ea --- /dev/null +++ b/src/anime/review/psycho-pass/document.en.rest.txt @@ -0,0 +1,63 @@ +============= + Psycho Pass +============= +:CreationDate: 2015-03-08 16:16:16 +:Id: anime/review/psycho-pass +:tags: - anime + - review +:rating: 4 +:original: http://www.easternkicks.com/reviews/psycho-pass-complete-season-1-collection + +How do you recognise a criminal? How do you make sure that innocents +are not targeted or even inconvenienced by law enforcement? How do you +balance control and freedom? These are some of the questions that +Psycho Pass poses, from the point of view of Japan's current society, +with its emphasis on conformity, and its very low tolerance for any +kind of deviation from the accepted way of life. + +It's the 22nd century, and the Sybil System can detect the state of +mind of every person, optimising their lives for happiness, by for +example suggesting their best career options, but also calculating +their propensity for crimes. The whole law enforcement system is based +on this "crime coefficient", and the police is equipped with special +guns called "Dominators" that will paralyse potential criminals, or +kill them outright if their coefficient is too high. No arrest, no +tribunals: if the Sybil says someone's a criminal, that's enough. + +This rather direct and violent approach tends to destabilise minds, so +the police uses Enforcers, potential criminals that have been selected +by the system, to do most of the hunting down of other criminals. +Inspectors are tasked with detective work, and supervision of the +Enforcers. + +Tsunemori Akane joins the police straight out of school as an +Inspector, and has to find her way among her colleagues and +subordinates, wrestle with moral questions, and avoid letting her +crime coefficient rise. + +UROBUCHI Gen (虚淵 玄) of Nitro+ has written a story with layers: the +"good" characters are not always as good as you'd expect, and the +"bad" characters have motivations that at the very least make sense to +them, and in some cases are indistinguishable from those that in other +stories are attributed to heroes. This is not a good-vs-evil plot. + +There are some issues. The worldbuilding has holes, that may have been +put there deliberately to provide the hooks for plot twists and for +more interesting character development and moral questioning, but +still undermine the consistency of the setting. Some parts of the +story feel a bit paint-by-numbers, and, especially in the first few +episodes, there's just too much expository infodumping. But I think +that it's all forgivable, given the overall result. + +I've seen Psycho Pass compared to Ghost in the Shell, and I can see +the similarities: they're both set in a technocratic future, focusing +on police work. The questions they ask are very different though: GitS +(especially the movie version) asks "what's the essence of humanity, +and what would it take for you to recognise a non-human life form as +human in spirit?"; Psycho Pass asks "what are you prepared to +sacrifice in the name of social stability and average +contentment?". Neither work provides answers, but they definitely +provide food for thought. + +As a note on the English edition, the translation appears to do +justice to the complex dialogues and ideas, which is sadly unusual. |