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Madoka Magica
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A great leap in quality for the Magical Girl genre.
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:CreationDate: 2012-12-16 15:22:38
:Id: anime/review/madoka-magica
:tags: - anime
- review
:rating: 4.5
:original: https://www.easternkicks.com/reviews/puella-magi-madoka-magica-complete
"Magical Girl" is one of the main genre of Japanese animation,
alongside "giant robots", "sports", "fighting", and the like.
This genre has a long history: it probably started in 1962 with ひみつ
のアッコちゃん (Secret Akko-chan, animated by Toei Animation), and got
most of its defining characteristics from 魔法使いサリー (Sally the
witch, Toei Animation) and, later, 魔法のプリンセス ミンキーモモ
(Magical Princess Minky Momo, Ashi Production).
Magical girls were sometimes non-human, coming from magical places to
Earth as a rite of passage (yes, Kiki counts as a magical girl anime);
more often and more recently, they're normal girls who receive magical
powers through an object donated by aliens, or magical / divine (in
the Shinto sense) beings.
Minki Momo, and the Studio Pierrot magical girl series (Creamy,
Persia, Emi, Yumi), established some conventions that have remained
mostly unchanged ever since; in particular, the "animal sidekick"
(magical beast, alien, magically animated plushie…) that usually helps
/ guides / counsels the main character.
In deference to these tropes, Madoka Magica opens with the
cute-looking alien Kyuubee offering to make Madoka, a normal shy
schoolgirl, into a magical girl to save people from evil witches. In a
significant departure from the standards of the genre, though, this
does not happen in a common and tranquil setting: it happens inside a
nightmare scene where another girl is fighting for her life and
clearly losing. The psychological pressure that Kyuubee brings to bear
on Madoka is nearly overwhelming, and the scene sets the tone for the
entire series.
I have to say that I hate Kyuubee, so much so that I bought a
life-size stuffed doll of it, to punch, as a stress-relief aid. Even
if you ignore the opening scene, and pretend that Kyuubee starts out
very much like any other magical girl companion, you'll feel pretty
soon that something is not right, that its promises are a little too
vague, its empathy a little too forced. And while the series
progresses, the feelings of wrongness and alien-ness keep
growing. Sure, it gives magical powers to young girls, makes one of
their wishes come true, allows them to help people by fighting
witches… but the cost is too high, the fighting too hard, the reality
of the wish always disappointing. Only Homura and Madoka manage to
turn their wish into something fully positive, but it's more thanks to
their stubbornness and determination, than to Kyuubee and its ilk.
In addition to a deep and gripping story, and to characters that
provoke strong emotional responses, the technical aspects of the
series are also well above average: from the music (written and
performed by ClariS and Kalafina) that perfectly sets the mood, to the
animation, flawless both in the slow, contemplative scenes and in the
fast action of combat. A special mention must be made of the depiction
of magic: raw, barely controlled near-omnipotent magic, distorting the
structure of the universe at every level, it's shown as psychedelic
collages that follow their own crazy internal logic (and those wings
of raw power at the end of the last episode still send chills down my
spine!).
I've watched this series twice from beginning to end, and the last
three episodes at least twice more. This happens rarely to me, but
Madoka Magica is just worth it.
With almost fifty years of history, you'd think that the Magical Girl
genre had been thoroughly explored and very little new could be
written in it, and if you looked at most recent offerings you'd be
justified in confirming your opinions. And in this lays a good part of
the importance of Madoka Magica: I think, and hope, that just like
Neon Genesis Evangelion infused new life into the "giant robots"
genre, echoes of Madoka Magica will rapidly be seen in other Magical
Girl series. Eva took the well-known elements of the robot story
(alien invaders, reluctant pilot, collateral damage) and re-framed
them more-or-less explicitly as a psychological analysis of social
interactions. Madoka takes the Magical Girl tropes (wish-fulfilment,
friendship, responsibility, helping people) and re-frames them in
cosmic terms, making the protagonists directly relevant to the world
at large.
If you hadn't noticed, I consider Madoka Magica one of the best series
of the last few years, and I'm trying to convince all my friends to
watch it: all of those who've seen it has only good things to say
about it. I can only hope that this review will convince you, and that
you'll see how an old genre and overused devices can be given a
glorious new life.
